INDIE PUBLISHING

From the Mailbag:  How do you organize yourself?

Juggling multiple pen names, a production pipeline, and the occasional bout of procrastination takes more than just caffeine and stubbornness—though those help. In this post, I break down exactly how I manage my writing and publishing schedule, from rotating pen names to keeping six+ books in postproduction at once. I also explain why I never write more than one book at a time and how I use a 300-step checklist to keep my head (mostly) attached.

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What Happens When You Stop Telling Yourself You’re a Slow Writer

I thought I was stuck at 1,200 to 1,300 words per hour because I had been for years. But I wasn’t. I was just telling myself I was. This month, I’ve finished one book, written another in nine days, and started plotting a third—all while juggling a demanding side gig. If you think you can’t write faster, maybe it’s time to stop believing that.

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Dictation vs. Typing: The Pros, the Cons, and Why I’m Sticking With My Keyboard (For Now)

After my fourth serious trial, I’m calling it: for me, dictation is dead—at least for now. The modest bump in words per hour just doesn’t outweigh the tech friction, location lock-in, and editing overhead. If dictation plus clean-up time gets you more net words than typing, go for it. But if you’re already a clean, fast typist, the numbers might tell you to stick with your keyboard.

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The Artisan Author Movement and the Myth of Slowing Down

The Artisan Author movement is gaining momentum—and for good reason. Writers are burning out chasing algorithms and churning out books to appease invisible markets. But here’s the catch: slowing down your writing isn’t the solution for everyone. For some of us, our best, most joyful pace is fast. Not frantic. Not desperate. Just flow. The key isn’t to slow down. It’s to find your best pace—and protect it fiercely.

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Review of The Artisan Author by Johnny B. Truant

At its heart, this book offers a liberating proposal: don’t play the game as it’s currently defined. Walk away from algorithm worship, punishing release schedules, and the grind of selling at 99 cents to churn-hungry subscription readers. Instead, write what you want to write, at the pace that suits you, and charge a fair price for your work.

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Why Do You Write?

Ah yes, that question. “Why do you write?”

It’s one of those that gets asked a lot—especially in writing forums, interviews, and on the back covers of literary memoirs, usually printed in italics for some reason. It can feel a bit… woo-woo. As if the answer should be sacred and profound. (“Because the Muse demands it, obviously.”)

But the truth? Your “why” is probably a lot more practical, changeable, and occasionally downright grubby than the question makes it sound.

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Turn Off Editing and Spelling While You Type. And Why.

Recently, I was forced to replace my laptop. Not because of a catastrophic hardware failure, or because it fell into a vat of coffee (although, give it time). No—because the space bar stopped working. Yes, the space bar. That humble, workhorse of a key. Turns out, if you can’t make spaces, you can’t make anything

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